Chapters An Artist's Masterpiece Book 4 Chapter 4
And so began another stage in the increasingly miserable life of Emily Battersby. Was this the worst yet? In some ways, yes. If asked — and if she had been able to answer — she would have undoubtedly answered yes. No only did she suffer now, but also the person dearest to her in the entire world, her beloved sister Anne: sweet, innocent Anne who, because of her doing — Emily blamed her own gullibility for everything — was now condemned to a life of suffering as a mute and helpless sex doll as well.
Yet at the same time, much as she hated to admit it even to herself, the day that the modified Anne doll was brought into her home represented the day that her life improved. Before she had been alone in her suffering but now she shared it: she had a confidant, someone with her who understood. That moment when they had pushed their gigantic chests against one another, felt each other’s’ pulses beating and stared mindlessly at one another’s modified faces, then there had been a communion and even though the sisters were now unable to talk to one another, in a strange sense, mentally, they had never been closer.
And not just mentally either. On that first meeting as dolls, Humphrey had ordered them upstairs immediately and had the automaids undress them both down to their stays. Then began their joint initiation into the new sexual reality of their lives.
The first change was that from that day forward, Emily always had to share her marital bed with another woman. Literally. And that woman was her own sister. After the automaids had prepared them, Humphrey had both of his dolls kneel on the floor and then he inserted his rock hard tool, firstly into one mouth, then the other, Emily, Anne, Emily, Anne, bringing him close to orgasm and then withdrawing on the brink of release. Then he had Emily lie on the bed face down with her legs spread wide and he lay atop of her, using her generous firm buttocks as a pillow, before lowering his new doll symbolically down onto his raging member and taking her virginity with a cry of joy, jetting his copious seed deep inside her only moments afterwards.
And that was how Humphrey had vaginal sex from then on, with one doll as his pillow and the other as his pleasurer. More often though, he would enjoy them anally, the two sisters on their knees presenting their glorious bottoms to him whilst he would spear one and caress or slap the other until his seed was spent. And then it would be time to sleep, his head still nestled in-between the wide buttocks of one, or perhaps the firm breasts of another, waking only to use the mouth of the other girl as his urinal.
That however, was not the end of it.
As a prelude to sex or as a show for his friends (and that circle included Branwell), Humphrey now developed a new kink. He would have the automaids lie his two dolls on the bed and then attach their nipple rings to one another, before then inserting an enormous two-ended dildo into both of their love caverns and a similar monster into both of their mouths. They were then required to bring each other to orgasm repeatedly, the onlookers taking bets on who would reach climax first. Another game they played included watching the girls go at it, whilst an automaid masturbated them to completion; the one who spurted his seed on the doll-pile was given the privilege of a blowjob by the doll of their choice.
The humiliation was crushing and Emily’s mind was torn. On the one hand, the knowledge that she was coupling with her own sister and engaging in the awful sin of incest mortified her, but at the same time she loved the sexual stimulation which was far more loving and consensual than when Humphrey took her. Her attachment to Anne had only grown through their shared fate and this act, although lewd and obscene, was one of the rare chances that they had to truly be together and demonstrate physically the mental and spiritual closeness that they both felt.
Outside of the bedroom though, life was hard. Although always together, they could not communicate with one another in any way. Emily would hope and pray that the automaids sat them together although this was rare and they were generally left on different chairs across the room from one another where, because of their locked eyesight, they couldn’t even look at each other clearly. On the rare occasions when they were seated side-by-side on a chesterfield or sofa, Emily loved to feel the enormous mass of her sister’s bottom squeeze up against her own and they would lean on each other’s shoulders and listen to their breaths through the two flickering roses. Moments such as those made life almost bearable.
But others were the opposite. Such as on her birthday party when Branwell paid, as a birthday treat for his sister, for a professional photographer to come in and take some family portraits of the three “happy siblings”: two vacant dolls with inhuman tits and non-existent waists flanking the leering and evil-looking brother with a hand wrapped around each of their minute stems. The best of these photos was then blown up, framed, and hung alongside another of the three siblings as children in the same position. These two hung prominently on the wall of the drawing room as constant reminders of their sad, sad lot in life.
Equally traumatic was the news announced casually by Humphrey one brunch as they sucked on their mush-filled phalluses that their father had just passed away and that Branwell was now head of the family, and had both inherited all his wealth and put their mother into an old people’s home, despite the fact that she was only fifty-five. They had not been particularly close to their father, who had always preferred Branwell and whom Emily at least partly blamed for selling her to Humphrey but even so, the death of a parent is always hard, particularly when one is forcibly unable to grieve.
That though, was the life of both of them now. Sex, boredom, helplessness, mush, more sex, and humiliation: a sad and sorry life that was to stretch on ad infinitum until they went to their graves, forgotten as people and remembered as dolls.
Until, that is, on the fateful day when we find them now:
A month after the grandiose celebrations for Emily Battersby’s 23rd birthday. Emily and Humphrey lay in their marital bed together along with Emily’s sister and companion, Anne. Humphrey is using Anne’s enormous bottom — or is it Emily’s, he struggles to tell the difference between them — as a pillow like usual whilst Emily’s equally large derriere bounces up and down on his member, milking him delightfully as he reaches up and squeezes her taut and over-large breasts. He is in seventh heaven, enjoying the greatest pleasure that life can bring, when he suddenly feels a strange tightness in his chest and the feeling of blood rushing to his head. He stops his exertions and clutches his breast but it does no good. The tightness spreads and he feels pain. He realises that this is serious and croaks out “Help! Get help!”
His two lovedolls stare silently into the middle distance, passive and unmoving, and Humphrey realises in horror that he has an enormous problem.